#TechniqueTuesday – Hip Hop Edition!

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So last week while watching the ever-addictive So You Think You Can Dance, a hip hop dancer auditioning used to term ‘pop-locking,’ to which I tweeted and said that there was no such thing as ‘pop-locking.’ A lot of people asked why and I clarified for them, but I figured I may as well use this opportunity to break down the three original styles of hip hop dance a little further.

I have already written a very brief rundown of the history of hip hop, introducing the bare minimum of the culture. There is so much more to it than I included, so if you feel the need to further educate yourself, PLEASE DO. It is our responsibility as teachers to educate these kids, not just show them the cool stuff. So go read that, then come back and learn more about breaking, popping and locking!

Breaking was the first of the original hip hop styles to be created. At first, it was a lot simpler than what it was now. The term breaking comes from the break in the music that deejays would loop and elongate so people could get down on the beat. The style started out as rocking. The movement was done standing, and has now grown into a vocabulary and style all it’s own. The top rock, salsa rock, indian step, the apache, and many others make up the basis of rocking. It is all about the style and finesse in which you personally give it. It is just as much a crowd pleaser as the big, showy power moves and freezes that were later introduced to the style. It is all about musicality. One of my favorite rockers to watch is Bboy Ynot from The Legendary Rock Steady Crew.

The first people to take the movement to the ground were The Nigga Twins. They are recognized as breaking pioneers with their new, fresh vocabulary of movement to add the to style. From there, those in the newly born culture, took inspiration from what they saw and gave it their own spin. From then, the breaking footwork vocabulary was born. Some of the well known steps from the genre are the 6 step, switches, Russians, Russian sidesteps or CCs, half sweeps, full sweeps and so many others. From the birth of footwork, breaking got bigger and flashier. Freezes were introduced and it eventually grew to the power moves like head spins, flares, windmills, back spins, etc.

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The Nigga Twins

The next style to emerge in the hip hop community was created by a man named Don Campbell and is called locking. It is one of the two funk styles – the other being popping. The music is a little different than what you would break or rock to, but not completely. It’s just a little funkier, more horns and other instruments. This dance form is a lot of fun to watch and perform. It is a very relaxed and animated movement. Everything is very exaggerated and it is often interactive with either a partner, hat or suspenders, and the crowd. The style itself was created by accident. Shortly after the rise of locking, Campbellock created a group called The Lockers – boasting a list of very well-respected dancers including Toni Basil and Shabba-Doo.

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The vocabulary of locking consists of wrist rolls, Uncle Sam points, Atlas pose, and of course the lock, in addition to many other moves. When done in succession, there are moments of stopping, or locking, and that is how the style got it’s name. When I teach locking to those with zero to very little exposure to the style, I refer to Goofy, the Disney character. Everything he does is very animated and he has a natural bounce to his walk.


Don ‘Campbellock’ Campbell
Judges Showcase performance at Funkology in 2011

Just like the other styles of hip hop, it has since crossed the world and gained notoriety. Lockers have a very specific style of dress as well. You can normally find them in apple hats, stripes, vests, suspenders, and the like.

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Hilty and Bosch Showcase at Bottle of The Year 2008

The final original style of hip hop dance is popping. This came to be in the early 80s and the movement is heavily influenced by the more electronic or almost robotic sound of the music of the time. Popping is achieved by quickly contracting and releasing, or flexing, of the muscles. That action is called a pop or a hit.

Within this style, there is also the movement qualities of ticking – the quick, flex and release in continuous movement; boogaloo – incorporates knee rolls and a more fluid movement; waving – movement that gives the appearance of a wave moving through the body; tutting – a sharp and precise movement that is inspired by the Egyptian hieroglyphics and King Tut with flat, 90-degree angles done with arms, hands and even fingers.

One of my favorite poppers is a founding father of the Hip Hop culture and someone I highly respect. Jorge ‘Popmaster Fabel’ Pabon is a member of The Rock Steady Crew and The Mighty Zulu Nation. I always love watching the ones that started it all still being very active in the community and art form.


Jorge ‘Popmaster Fabel’ Pabon Judges Showcase
Max Party – Taiwan 2014

The fashion style of a popper is a very dapper one, consisting of slacks, dress shoes, button up tailored shirts, and even ties and suit jackets from time to time.

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So as you can see, while all these styles are under the umbrella of hip hop, they each are their own distinct, subculture with their own music, style and vocabulary of movement. While most hip hop dancers do cross train, the styles are never mixed – hence no such thing as pop-locking.

XO,
#DanceTchrProbs

So You Think You Can Teach Hip Hop…?

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When I first thought of why I wanted to start this blog, I wrote down a few bullets that came to mind. First word that came to mind was education. After that, it was networking, and finally professional advice for those wanting to pursue a dance career. This will be the first of many educational entries and I hope that you all as teachers, aspiring teachers, dancers and students can use this and the others to come in your repertoire of knowledge.

Hip hop is something that is very near and dear to my heart, so when I see it taught without proper knowledge, it urks me. (Note: Just like any other genre that I have dedicated myself to.) There is so much more to this CULTURE than what we see on stage at competition and in music videos on MTV. I hate to break it to you, but hip hop is not camo cargo pants, mesh tops and combat boots. The cool thing about hip hop is that, for the most part, the history is still being made. Most of those who created the movement and lifestyle are still alive and well today. Unlike our classical counterparts such as ballet and modern, we could potentially hear these people speak, take class from them and pick their brains if the chance ever presented itself to you. (Note: This will be a very broad overview of the history of hip hop. I will post links and other posts in the future to elaborate on certain areas.)

In the late 1960s and 1970s, gangs ran rampant in New York City causing violence and crime. Many of these gangs were so popular, that they had chapters in each of the boroughs of NYC. As ridiculous as it may sound, many of the founding fathers did not want to be a part of the negativity of being associated with gangs, so they started dancing. Instead of forming gangs, they formed crews. People would battle to get in, and each crew had a set area of ‘turf.’ They would battle other crews and acquire more area.

In 1973, a man named Kool DJ Herc threw what is now known as the first hip hop jam at the Boys and Girls Club located at 1520 Sedgwick Avenue for his sister’s birthday party. Little did he know, that he was starting a cultural movement. Kool DJ Herc, also known as Kool Herc or Herc, spun records and had two of the same, mixing the break of the music and created mixing and what is now known as break beats. Those who attended this party, referred to as B-Boys and B-Girls, paved the way for what is now known as breaking. These B-Boys and B-Girls were rocking and grooving to the beats that Herc was playing and made the technical vocabulary that catapulted hip hop into the world. And as they say, the rest is history.

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Original flyer for one of Kool DJ Herc’s jams.

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The birthplace of hip hop.

 As with any culture, there are pillars that uphold the culture in it’s purity. In hip hop, they are known as the elements and there are four mainstays. The DeeJay, The Emcee, The B-Boys and B-girls, and The Graffiti Art are the main components of any hip hop event or point of interest. There are many other elements that make up the entirety of hip hop and those are, but not limited to, knowledge, entrepreneurship, fashion, and beatboxing.

The DeeJay: Without a DeeJay, music can not be played and or mixed. Music may be the utmost important component of hip hop. These masters of music will typically use two turntables to enable them to mix tracks and loop the breaks for the B-Boys and B-Girls to get down to. Kool DJ Herc was the first DeeJay to mix the same record to loop the break beat.

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The Emcee: The term Emcee is short for Master of Ceremonies. They are the person on the microphone, making sure everyone is having a good time. They often times would give shout-outs to party-goers and any B-Boys or B-Girls in the cyphers, or freestyle circle. They would eventually start to create catchy rhymes. This eventually turned into what is now known as rapping. The first well-known emcee to transition in to rapping, or spitting, was Coke La Rock.

Coke La Rock (L) and Kool DJ Herc.
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The B-Boys/B-Girls: This group of people are the dancers of the culture. The term originated for those that were breaking, or bboying/bgirling, never breakdancing. The movement started out as what we know now as rocking, but eventually was taken to the next level of footwork, freezes and power moves. There are three original styles of hip hop dance, being breaking, popping and locking. (NO. There is no such thing as pop-locking. That’s like saying ballet-tapping. Two completely different subsets and dance styles of the culture.)

B-Girl Bonita of The Legendary Rock Steady Crew
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The Graffiti Art: Contrary to popular belief, graffiti art is not vandalism. It started out as tagging the train cars to get their names out there. It started out as a big, bubble letter but has also morphed into a cleaner line with time. It has transformed itself into a well-respected art form in both underground and mainstream society. It also encompasses street art that you can normally see in any city. Nowadays, these graffiti artists are hired to create masterpieces as a tribute to a city, musicians, or other cultural and political platforms. The art form of graffiti art has now gone from brick walls and street corners to canvases and galleries.

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Contrary to popular belief, hip hop is a very loving and nurturing culture. The Godfather of Hip Hop, Afrika Bambaataa, has given the running theme of peace, love, unity and having fun to hip hop. If you teach hip hop, I urge to you further educate yourself on the fundamentals and technique of hip hop dance. There is a hip hop community in every city that I have ever been in. Expose yourself to the truth of hip hop and if you’re able, take class from people. Go to a bboy jam and experience it for yourself. You will be blown away. We as teachers owe it to ourselves and our students to be sure we are communicating and teaching the truth of each genre of dance. As they would say in the hip hop community, each one, teach one.

I hope this is of use to you all. For more information, please refer to the links and documentary below.

XO,
#DanceTchrProbs

http://www.mrwiggles.biz/mr_wiggles_home_page.htm
https://www.zulunation.com/
http://www.amazon.com/The-Freshest-Kids-History-B-Boy/dp/B00006IUIP